The work bridges an artificial lake and marks the culmination of her cube-skeleton series, which range in size from tiny brooches to monumental forms.

At the time that de Goey received this commission she had not undertaken any work of such a scale, and as a result, scaling the work up from her small models relied on the expertise of the engineering team at the farm, thus demonstrating the way in which Gibbs operates as collector, commissioner and often-times producer of the art works.